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Sidelong Glance
Sidelong Glance


‾‾‾‾
I live in a wee house in a crooked wood. My hobbies include idolatry and drinking sizable quantities of tea. I am currently working on spinning myself into a cocoon of wonder. This is me.

KRSNA


Hare Krishna
Hare Krishna
Krishna Krishna
Hare Hare
Hare Rama
Hare Rama
Rama Rama
Hare Hare




Currently Reading

The House at Riverton
Dune
Désirée: The Bestselling Story of Napoleon's First Love
Prospero's Children
When Christ and His Saints Slept
Elfland
Ramayana


gopalekrishna:


Radha and Krishna Malwa, c. 1620

gopalekrishna:

Radha and Krishna 
Malwa, c. 1620




The gopis driven to madness by separation from Krishna.

The gopis driven to madness by separation from Krishna.




O Visnu, I see You devouring all people in Your flaming mouths and covering the universe with Your immeasurable rays. Scorching the worlds, You are manifest.

O Visnu, I see You devouring all people in Your flaming mouths and covering the universe with Your immeasurable rays. Scorching the worlds, You are manifest.













krishnaart:

♥♥ SHRI KRISHNA ♥♥http://careforcows.org/

krishnaart:

♥♥ SHRI KRISHNA ♥♥
http://careforcows.org/







deedeemo:

Krishna and Radha in a Pavilion is an 18th century Indian painting depicting the two Hindu deities Krishna and Radha.
The painting is the example of Pahari painting used in Gardner’s Art Through the Ages:[1]

“In Krishna and Radha in a Pavilion, the lovers sit naked on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gently touches Radha’s breast while gazing directly into her face. Radha shyly averts her gaze. It is night, the time of illicit trysts, and the dark monsoon sky momentarily lights up with a lightning flash indicating the moment’s electric passion. Lightning is a standard symbol used in Rajput and Pahari miniatures to symbolize passion”

deedeemo:

Krishna and Radha in a Pavilion is an 18th century Indian painting depicting the two Hindu deities Krishna and Radha.

The painting is the example of Pahari painting used in Gardner’s Art Through the Ages:[1]

“In Krishna and Radha in a Pavilion, the lovers sit naked on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gently touches Radha’s breast while gazing directly into her face. Radha shyly averts her gaze. It is night, the time of illicit trysts, and the dark monsoon sky momentarily lights up with a lightning flash indicating the moment’s electric passion. Lightning is a standard symbol used in Rajput and Pahari miniatures to symbolize passion”



anticipatedstranger:

Krishna’s Victory Over Aghasura Early 18th century

anticipatedstranger:

Krishna’s Victory Over Aghasura
Early 18th century
















centuriespast:

The Death of the Demoness Putana: Page from a Dispersed Bhagavata Purana
Date: ca. 1610
India (Rajasthan, Bikaner)
The evil king Kamsa sent the demoness Putana to kill the infant Krishna. Disguised as a wet nurse, she attempted to poison the god with her milk. Krishna, however, drained her breast and took away her very life breath. Here, we see him clutching the breast of the slain Putana while Yashoda, Rohini, and her baby Balarama run to help. 
The Metropolitan Museum of Art

centuriespast:

The Death of the Demoness Putana: Page from a Dispersed Bhagavata Purana

Date: ca. 1610

India (Rajasthan, Bikaner)

The evil king Kamsa sent the demoness Putana to kill the infant Krishna. Disguised as a wet nurse, she attempted to poison the god with her milk. Krishna, however, drained her breast and took away her very life breath. Here, we see him clutching the breast of the slain Putana while Yashoda, Rohini, and her baby Balarama run to help. 

The Metropolitan Museum of Art